The surprise of finding a Star gauge (never metaphor was more effective) by F. Sagat in a production with crimson hues such as SAW 6 will not go unnoticed. The part is infinitesimal, a mere appearance, prevents the psychopathic torturer on duty and the neophyte actor to show us what we already intimately well known.
A missed opportunity to see a side of French unexplored, provided that one exists.
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